dantelian 是男还是女_百度知道
dantelian 是男还是女
男的，，利威尔
嗯 我知道 是那个cos的信息
我想问的 谢谢哈 😂
其他类似问题
为您推荐：
其他5条回答
明显男的啊
😂是么 有其他资料么
要什么资料额
看骨骼就知道是男的了
是么……谢谢
worldcosplay上有他的资料
ins搜Dante_lian 也有他的日常照
是女的哟。
有他的其他信息么
有他的其他信息么
谢谢！有他的其他的资料么？
您可能关注的推广
等待您来回答
下载知道APP
随时随地咨询
出门在外也不愁The Living and the Dead
AustLit is a subscription service. The content and services available here are limited because you have not been recognised as a subscriber.
Dedication: To Joe Rankin for his selflessness and Patience.
Epigraph: "Je te mets sous la garde...du monde moral' - Helvetius.
Other formats:
Also sound recording.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Publisher:
United Kingdom (UK),c
Western Europe,
Reprinted:
Publisher:
Americas,:
Publisher:
New York (State),
United States of America (USA),c
Americas,:
Publisher:
United Kingdom (UK),c
Western Europe,
Reprinted:
Publisher:
Middlesex,
United Kingdom (UK),c
Western Europe,
Ringwood - Croydon - Kilsyth area,
Melbourne - East,
Melbourne,
Victoria,:
Reprinted:
Australian issue.
Publisher:
New York (State),
United States of America (USA),c
Americas,:
Publisher:
United Kingdom (UK),c
Western Europe,
Alternative title:
Zywi I Umarli
Publisher:
Eastern Europe,
Works about this Work
single work
— Appears in:
This article investigates the representation of war in terms of uselessness and waste in the fiction of Patrick White, with a particular emphasis on the short story “After Alep”, written in 1945 when the writer was enrolled in the RAF as an Intelligence Officer. By analysing the story in the light of White’s approach to the war as to “the most horrifying and wasteful period” of his life (Marr ), the article attempts to demonstrate how the narrative devices used by White contribute to demythologize the rhetoric of the war and of war heroes in a way that may be instrumental in conveying a message of peace out of the ultimate sense of futility transmitted by any war.
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
p. 93-115)
This article argues that the seemingly disparate affective and corporeal sensations of abjection and compassion significantly inform the fiction of Australian modernist, Patrick White. Focusing in particular on White's early novel The Living and the Dead ([), a work often sidelined in critical discussions of his writing, it maintains that the dialectical tension between abjection and compassion that fascinates White informs his representations (and troubling) of subjectivity from the beginning of his oeuvre. Accordingly, the article identifies the importance of corporeality within White's fiction, an aspect of his work that has often been occluded within critical readings committed to his transcendentalism. With particular reference to Julia Kristeva's theory of abjection and various recent theoretical conceptions of affect, it suggests that White's characters' sublime, recurring and transient forfeitures of identity may be profoundly imbricated with their surrender to - as opposed to their transcendence of - embodiment. Finally, the article argues that White's persistent elaboration of affect as corporeal suggests a physicality of literature that evokes the reader's own embodied sense of compassion. Altogether, the article explores the ways in which White's fiction reclaims a focus on corporeality that he perceived as lost to an inherently narcissistic modern consciousness (Author's abstract).
selected work
This book brings together a selection of Veronica Brady's critical addresses arguing that there are novels and poems that bear witness to the mystery of 'God' or an 'Other' who speaks through others.
single work
— Appears in:
— Review of
single work
single work
— Appears in:
Double issue, includes vol.3, no.1 (2001)
Examines White's shift from poet to dramatist to novelist, and the significance of The Living and the Dead in that sequence.
single work
— Appears in:
Paddington
Spaniel Books
single work
Oxford University Press
single work
single work
— Appears in:
p. 117-123)
single work
— Appears in:
p. 151-156)
single work
— Appears in:
p. 138-148)
single work
— Appears in:
Basingstoke
single work
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
p. 505-524)
single work
— Appears in:
single work
— Appears in:
— Review of
single work
single work
— Appears in:
— Review of
single work
single work
single work
— Appears in:
— Review of
single work
single work
— Appears in:
22 October
— Review of
single work
single work
— Appears in:
— Review of
single work
single work
— Appears in:
p. 211-213)
— Review of
single work
single work
— Appears in:
— Review of
single work
single work
— Appears in:
p. 117-123)
single work
— Appears in:
p. 347-369)
single work
— Appears in:
p. 292-300)
selected work
This book brings together a selection of Veronica Brady's critical addresses arguing that there are novels and poems that bear witness to the mystery of 'God' or an 'Other' who speaks through others.
single work
— Appears in:
p. 148-159)
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
p. 93-115)
This article argues that the seemingly disparate affective and corporeal sensations of abjection and compassion significantly inform the fiction of Australian modernist, Patrick White. Focusing in particular on White's early novel The Living and the Dead ([), a work often sidelined in critical discussions of his writing, it maintains that the dialectical tension between abjection and compassion that fascinates White informs his representations (and troubling) of subjectivity from the beginning of his oeuvre. Accordingly, the article identifies the importance of corporeality within White's fiction, an aspect of his work that has often been occluded within critical readings committed to his transcendentalism. With particular reference to Julia Kristeva's theory of abjection and various recent theoretical conceptions of affect, it suggests that White's characters' sublime, recurring and transient forfeitures of identity may be profoundly imbricated with their surrender to - as opposed to their transcendence of - embodiment. Finally, the article argues that White's persistent elaboration of affect as corporeal suggests a physicality of literature that evokes the reader's own embodied sense of compassion. Altogether, the article explores the ways in which White's fiction reclaims a focus on corporeality that he perceived as lost to an inherently narcissistic modern consciousness (Author's abstract).
Basingstoke
single work
single work
— Appears in:
Paddington
Spaniel Books
single work
Oxford University Press
single work
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
p. 93-101)
single work
— Appears in:
p. 151-156)
single work
— Appears in:
single work
— Appears in:
single work
— Appears in:
p. 505-524)
United Kingdom (UK),c
Western Europe,
Export this record}