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官方公共微信Helen Hills - History of Art, The University of York
History of Art
University
& & & Helen Hills
Professor Helen Hills
Professor of Art History
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BiographyBA Hons (Oxon), MA & PhD (Courtauld Institute, Lond.)
Helen Hills is Professor of History of Art. She studied History at the University of Oxford before turning to History of Art at the Courtauld Institute of Art in London (MA with Distinction) where she also did her Ph.D. Her doctorate study of inlaid marble decoration in Sicily later became her first book,&Marmi Mischi Siciliani: Invenzione e Identit&&(Societ& Messinese di Storia Patria, 1999), the basis of a trajectory which includes 7 books and over 47 articles.
Helen Hills taught at the University of North Carolina at Chapel Hill, USA and at the University of Manchester, UK before joining the History of Art Department&at York as Anniversary Reader in 2005. She was promoted to Professor in 2008.
Principal research interests include: Baroque art and architecture, especially in I architectura gender, urbanism including post-industrialism in the UK.
In 2014 Helen Hills was
at Smith College, Massachusetts. She has been Distinguished Visiting Professor at the Universities of Stockholm (Sweden), Boulder-Colorado (USA), and Emory (USA).
Helen Hills has published extensively in the field of architectural history and theory, baroque, gender and sexuality and contemporary visual culture, including scholarly monographs, edited books, chapters and articles. Amongst her books,&&(Oxford University Press, 2004) was awarded the Best Book Prize in 2004 by the USA Society for the Study of Early Modern Women.& (Ashgate, 2011) offers essays by leading scholars from art history, philosophy, and literature studies to reconsider the potential of &baroque&; New Approaches to Naples (2013). Helen has recently currently completed The Matter of Miracles that explores the inter-relationship between materiality and miracles to be published in 2015 by Manchester University Press.
She is co-founder and present organizer of the , an exchange and meeting point for scholars of Neapolitan culture from all over the world which developed from an
in 2010. The recipient of numerous distinguished research awards and scholarships from the AHRC, British Academy and the Getty, Helen has given keynote addresses and papers at conferences and research seminars from Adelaide in Australia to Santiago in Chile to Harvard in USA.&
Departmental roles
Equal Opportunities Officer 2015-present
Director of Postdoctoral Research (2015-present)
Equality Champion 2015-present
Concordat Officer 2015-present
Director of Postdoctoral Research Fellows 2015-present
Research Mentor to Dr H. Vorholt
Director, LFA-Art History Programmes, (2013-present)
Chair, Departmental Research Committee (08-2012)
Department Management Team ()
Library Officer (08-09)
Representative on Digitization programme
University roles
University Research Forum (2007- present)
Advisory Committee for Arts & Humanities for Promotions (2010-&present)
University Research Committee (2007-10)
Elizabeth Chew, PhD on 'Female art patronage and collecting in 17th-century Britain' (case studies of Anne Clifford Sackville Herbert, Countess of Dorset, Pembroke & Montgomery () and Aletheia Talbot Howard, Countess of Arundel (). (advisor 1995-99) Examinations passed 1995; PhD awarded Dec 1999. Now Curator at Thomas Jefferson Museum at Monticello, USA.
Alex Pilcher, 'Mythologies of Foundation in Renaissance Florence, c.1450-c.1550', Feb 1998-Sep 1998 (PhD co-supervisor). PhD submitted Oct 98. PhD awarded 1999.&
Alice Sanger, 'Women of Power: Studies in the patronage of Medici Grand Duchesses and Regentesses '. Feb 1998-May 1999 (submitted) (PhD co-supervisor ). PhD awarded 2000. Now temporary Lecturer in Art History, University of Manchester.
V. Whitfield, 'Portraiture of industrialists in 18thC Britain', temporary supervisor during illness of Prof. Marcia Pointon, Nov 00-Jul 01. PhD awarded Jun 02.&
Alessandra Pompili, 'An insula in Ostia'. Aug 03-Feb 05 (PhD co-supervisor with Prof. R Ling). Awarded PhD Jul 07.
Charlotte Poulton, 'The representation of music in early modern Italian painting' (Part-time USA) Viva Examination Oct 2009: PhD awarded with minor corrections (External Examiner: Professor Robert Kendrick, Department of Music, University of Chicago).
Publications
Selected publicationsHelen Hills has published widely in History of Art and related disciplinary and interdisciplinary fields, including 7 books and over 46 articles.
&ed.&Helen Hills & Melissa Calaresu , Ashgate, 2013
Rethinking the Baroque&,&ed. Helen Hills (Aldershot: Ashgate, 2011).&, ,&&&&&&&
Invisible City: The Architecture of Devotion in Seventeenth-century Neapolitan Convents .&Oxford University Press, 268 pp.;44 b. & w. & 10 col. plates. 2005. Awarded the Weiss / Brown Award in support of outstanding works of scholarship of European culture pre-, The Newberry Library, C Winner of the Best Book Prize, 2004, Society for the Study of Early Modern Women, USA.&&&&
Representing Emotions: New Connections in the Histories of Art, Medicine, and Music, ed with P. Gouk, (Aldershot: Ashgate, 2005).
Architecture and the Politics of Gender in Early Modern Europe, (Aldershot : Ashgate, 2003).
Fabrications: New Art and Urban Memory in Manchester, ed. with N Rudd & M Crinson (Manchester : UMiM, 2002).
Marmi mischi siciliani: invenzione e identit& (Inlaid polychromatic marble decoration: invention and identity)&trans. AnnaVio, Messina: Archivio Storico Messinese (Scholarly monograph series), 1999.
Full publications listScholarly and Refereed Journal Articles
'',&California Italian Studies Journal, ), pp.1-21.
'',&Melilah: Manchester Journal of Jewish Studies,&2012, vol.2, pp.57-80.&&
&&Urbanism in Siena: A Polite Tale of Patronage, Profit and Power&,&Art History, Summer 2010, pp.551-554.
&&The Face is a mirror of the soul: frontispieces and the production of sanctity in post-Tridentine Naples&,&Art History, vol. 31(4), 2008, pp. 547-574.*
&Demure Transgression: Portraying Female &Saints& in post-Tridentine Italy&,&Early Modern Women: An Interdisciplinary Journal,&vol.3,&Fall 2008, pp. 153-208.*
&The Baroque: Beads in A Rosary or Folds in Time&,&Fabrications & Journal of the Society of Architectural Historians&ANZ, vol. 17(2), 2008, pp. 48-71.*
&Indeterminacy and Architectural History: Deterritorializing Cosimo Fanzago&,&field, vol. 1, September 2007,&
&Too Much Propaganda&&Oxford Art Journal, vol. 29 (3), 2006, pp. 446-452.
&What&s In a Relic?&,&Oxford Art Journal, vol. 28 (1), 2005, pp. 119-124.
&&Enamelled with the Blood of a Noble Lineage&: Tracing Noble Blood and Female Holiness in Early Modern Neapolitan Convents and their Architecture&,&Church History: Studies in Christianity and Culture, 73(1), 2004, pp. 1-40.*
&The Veiled Body: within the folds of early modern Neapolitan convent architecture&,&Oxford Art Journal, vol 27 (3), 2004, pp. 269-290.*
&Deciphering the Hieroglyphics of the Modern Metropolis',&Oxford Art Journal, vol.26 (2), 2003, pp. 181-186.
&The Fetishized Past: Post-industrial Manchester and Interstitial Spaces',&with Tyrer, P.,&Visual Culture in Britain, vol.3 (2), 2002, pp. 103-118.*
&Cities and Virgins: Female Aristocratic Convents in Early Modern Naples and Palermo',&Oxford Art Journal, vol.22 (1), 1999, pp. 29-54.*
&The Road Not Taken',&Oxford Art Journal, vol. 20(1), 1997, pp. 95-99.
&Villa Palagonia in Bagheria near Palermo',&Daidalos, 28, June 1998, pp. 34-44.
&Centri e Periferie: Decorazioni ecclesiastiche in marmi intarsiati nella Palermo del XVII secolo',&Arte Cristiana, 1996, pp. 405-419.*
&Mapping the Early Modern City',&Urban History, 23, 1996, pp. 145-170.*
&Spanish Influence on Sicilian Baroque Architecture',&Ricerche di Storia dell'Arte, 58, 1996, pp. 65-95.*
&The Making of an Art-Historical Super Power?&,&Oxford Art Journal, 18(1), 1995, pp. 137-140.
&Iconography & Ideology: Aristocracy, Immaculacy and Virginity in Seventeenth-century Palermo',&Oxford Art Journal, Vol.17(2), 1994, pp. 16-31.
'', in Grit Heidemann, Tanja Michalsky (eds):&Ordnungen des sozialen Raumes. Die Quartieri, Sestieri und Seggi in den fruehneuzeitlichen Staedten Italiens, Berlin: Reimer 2012, pp.159-188.
&&The Face is a mirror of the soul&: Frontispieces and the production of sanctity in post-tridentine Naples&, in&Art and Architecture in Naples, , eds. Cordelia Warr & Janis Elliott, Wiley-Blackwell, 1.*
&How to Look like a Counter-Reformation Saint&, in&Exploring Cultural Histories: Essays in Honour of Peter Burke, M. Calaresu, F. De Vivo, J.P. Rubies (eds), Farnham: Ashgate, 0.
&&The Face is a mirror of the soul&: Frontispieces and the Production of Sanctity in Post-Tridentine Naples&, in&Art and Architecture in Naples, , eds. Cordelia Warr & Janis Elliott, Wiley-Blackwell, 1.
&The Housing of Institutional Architecture: searching for a domestic holy in post-Tridentine Italian convents&, in eds. S Cavallo, S Evangelisti,&Domestic and Institutional Interiors, Ashgate, 2.
&Abitare l&architettura istituzionale: alla ricerca del sacro domestico nei monasteri post-tridentini italiani&, in ed. Candace Smith,&Soror Mea Sponsa Mea: Arte e musica nei conventi femminili in Italia tra Cinque e Seicento, Bologna: Il Poligrafo, . Winner of the 2010 SSEMW (USA) Arts and Media Project Award competition
&& N&gociation & du pouvoir en Italie post-Tridentine : gender, architecture, et puissance&, in&Femmes de pouvoir et pouvoir des femmes dans l&Occident medieval et moderne, eds. Armel Nayt-Dubois & Emmanuelle Santinelli-Foltz: Lez Valenciennes&n.41-42, 2.*
&Nuns and Relics: Spiritual Authority in post-Tridentine southern Italy&, in ed. Cordula van Wyhe,&Female Monasticism in Early Modern Euurope, Ashgate, .
&Architecture of Difference: The Secret of the Religious Architectural Body&, in&Gender, Religion, Human Rights in Europe, Rome: Herder, 245-262, 2006.
&Architecture and Spiritual Life in Tridentine Naples&, in Valerio, A., (ed.),&I Luoghi della Memoria: Istituti religiosi femminili a Napoli dal IV al XVI secolo, FPV per la Storia delle Donne: Naples, 35-51, 2006.
'Alberti and Affetti: Architecture and Edification&, in Gouk P & Hills, H. (ed).,&Representing Emotions: New Connections in the Histories of Art, Music and Medicine, Aldershot: Ashgate, 89-108, 2004.
&Towards Histories of Emotions&, with P. Gouk, in Gouk P & Hills, H. (ed).,&Representing Emotions: New Connections in the Histories of Art, Music and Medicine, Aldershot: Ashgate,15-34, 2004.
&&Theorizing the relationship between architecture and gender in early modern Europe&, in Hills, H. (ed.),&Architecture and the Politics of Gender in Early Modern Europe. Aldershot: Ashgate, 3-23, 2003.
&&Half-Forgotten Streets: Architecture and Amnesia in Manchester&, in Crinson, M, Hills, H., & Rudd, N., (ed.),&Fabrications: New Art and Urban Memory in Manchester, Manchester: UMiM, 32-39, 2002.
&Architecture as Metaphor for the Body: the Case of Female Aristocratic Convents in Early Modern Italy', in Durning, L., and Wrigley, R. (ed.),&Gender & Architecture: History, Interpretation, Practice, Chichester & New York, John Wiley & Sons., 67-112, 2000.
&Monasteri Femminili aristocratici a Napoli e a Palermo nella prima et& moderna e la "Conventualizzazione" della Citt&', in Fiume, G., (ed.),&Il santo patrono e la citt&: San Benedetto il Moro: culti, devozioni, strategie di et& moderna, Venice: Marsilio, Venice, 68-80, 2000.
&The Convent in the C the Choir in the Convent: Female convent churches in Baroque Palermo and Naples', in de Moura Sobral, L. & Booth, D.,&Struggle for Synthesis: The Total Work of Art in the 17th and 18th Centuries: Proceedings of Conference,&Braga 1996, vol. I, Lisbon: Ministerio da Cultura, 177-194, 1999.
&C choirs in the convents: Aristocratic female convents and urbanism in early modern Palermo and Naples' in Trigilia, L., (ed.),&Annali del Barocco in Sicilia: Pompeo Picherali: Architettura e Citt& fra XVII e XVIII Secolo, Rome, 61-76, 1998.
&Commonplaces: the Woman in the Street: Text and Image in the work of Jenny Holzer and Barbara Kruger', in Mills, S., (ed.),&Language and Gender: Interdisciplinary Perspectives,&(New York: Longman,&1995) pp.&240-256.
&The Immaculate Conception in Seventeenth-Century Palermitan Iconography',&Archivio Storico Siciliano, ser.IV, vol.X,&1994, pp. 181-230.*
'La Cappella del Crocifisso nella Cattedrale di Monreale&in Madonna', M.L., & Trigilia, T., (ed.),&Barocco Mediterraneo: Sicilia, Lecce, Sardegna, Spagna,&(Rome: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1992) pp.61-76.
All other publications
&Bramshill House, Hampshire', Country Life, Part I Oct.10, 1985, pp. & Part II, Oct 17, 1985, pp..
&The Art and Architecture of Sicily', Blue Guide to Sicily, London: A& C Black, New York: WW Norton, .
Review of L Nochlin, The Politics of Vision and B Taylor's Eve & the New Jerusalem Women's Art Magazine No.46, pp.26-27
&The Art and Architecture of Sicily', Blue Guide to Sicily, revised version, A& C Black, New York: WW Norton, .
&Andrea Pozzo&, &Angelo Italia&, &Baldassare Longhena&; &S Maria della Salute, Venice&; &the Quattro Canti, Palermo&, International Dictionary of Architects and Architecture, London & Chicago: St James& Press, 1993, pp.524-527; 598-9; 693-4; 713-16.
&Palermo: History & Urban Development& , Encyclopaedia of Italian Renaissance and Mannerist Art: Vol. 2: Macagnino to Zucchi, Grove Encyclopaedia of European Art, London: Macmillan,
(& 6 other entries).
&Form Follows Funding&, review of Amelia Jones (ed.), The Feminism and Visual Culture Reader, Routledge: London & New York, second edition, 2010,
Reviews of Single Academic Books:
Helen has reviewed numerous books for a range of journals including:
Church History, Sixteenth century Studies, Journal of European History, Women's Art Magazine, The Times Higher Education Supplement, The Sociological Review, Word & Image, Art History, Oxford Art Journal, Journal of the Society of Architectural Historians, Renaissance Quarterly, Burlington Magazine, Journal of Early Modern History.
in Oxford Art Journal (): 446-453.
Exhibition Reviews:
1994: `The Baroque in Portugal Exhibition, National Gallery of Art, Washington DC', Eighteenth Century Studies, May, pp.487-490
Co-organizer & Co-curator, Fabrications: New Art and Urban Memory in Manchester. Included commisioning 6 new pieces of art from 6 contemporary artists. Cube Gallery, Manchester. 11 September - 2 November 2002.
RecordingsTV and Radio:
Miraculous Affects: Inventing Corpses in Baroque ItalyOpening Keynote Lecture,''.&International Collaboratory held at the University of Adelaide, Australia in February 2014.&A recording of Helen's keynote address is available&.&
The Blood Miracle of San GennaroAn interview discussion with&Ewart Shaw&on Radio Adelaide 10 February 2014 is available&.
The Baroque, BBC Radio 4, 20 November 2008.
Undergraduate
A group of upper level students at Mount Grace Priory during Helen's Architecture, Gender & Sexuality module.
I have taught at all levels at the Universities of Keele and Manchester in the UK, the University of North Carolina at Chapel Hill in the USA, and Queen&s University, Kingston, Canada.
BA Undergraduate modules include:
The City & the Subject in Early Modern Europe
Architecture, Gender and Sexuality
Critical Approaches to the Baroque
Seeing the City
Architectural Theory
Architecture & Memory
Historiography & Theory
Introduction to Architecture
Masculinities & Femininities in Baroque Art
Space as Property and the Properties of Space
Postgraduate
MA modules include:
Rethinking the Baroque
Advanced Problems in Baroque Art
Redeeming Matter
Space as Property and the Properties of Space
A group of upper level students at Mount Grace Priory during Helen's Architecture, Gender & Sexuality module.
Supervision
Bogdan Cornea, one of Helen's PhD students,&receives&a prize for his presentation on his PhD topic at the Humanities Research Centre, University of York, in July 2014. Photograph Ian Martindale
Other teachingVisiting Professorships
Visiting Professor, Department of History of Art, The University of Stockholm, Sweden: February 2008.
Visiting Professor: Emory University, USA: April 2013.
Smith College, USA: : September-December 2014.
Two of Helen's PhD students at a research event she ran at Compton Verney
External activities
Editorial dutiesConsultant Editor&of the&Open Arts Journal&(Open University Press): Feb 2013-present
Scientific Committee Member&Arte - Architettura - Citt& e Territorio.(with Alicia C&mara Mu&oz (UNED & Madrid) Maria Concetta Di Natale (Universit& di Palermo) Marco Rosario Nobile (Universit& di Palermo) Dany Sandron (Universit& de Paris - Sorbonne)Regular reader for:&Art Bulletin, Art History, Journal of Hispanic Studies,&Konsthistorisk tidskrift, Eighteenth-Century S The Sixteenth Century J Journal of the Society of Architectural Historians&(USA);Art B Sculpture Journal, Object&(UCL's Graduate Student On-line Publication); Manchester University P Oxford University P Ashgate Publishing Company.
Invited talks and conferencesHelen has presented papers at many national and international conferences and institutions including the Accademia Nazionale dei Lincei, Rome, I CAA (USA); Association of Art Historians (GB); EAHN; Group for Study of Early Modern W South East College Arts Conference (USA); University of Essex, UK; the Courtauld Institute of Art, L University of W University of Reading, UK; University of Oxford (Renaissance Research Seminar); University of Manchester, UK; University of Sussex, UK; Manchester Metropolitan U Department of History of Art, University of C University of Leeds (early modern Research seminar); University of L Clark Institute, USA; University of North Carolina at Chapel Hill, USA; UCL-Courtauld Early Modern Research S University of Valenciennes, F University of Stockholm, S University of Santiago, C Palazzone Cortona (Harvard, Scuola Normale Pisa & EPHE, Paris), I Universit&t der K&nste, B V & A Museum, L National Gallery, L British School in Rome, I Queen&s University, C SE College Art Conference USA; Centro Internazionale di Studi sul barocco in Sicilia, I Accademia Nazionale dei Lincei, Rome, I Istituto Portugues do Patrimonio Arquitectonico, Lisbon, P Group for Early Modern Cultural Studies (Pittsburgh) USA; Universit& degli Studi, Palermo, I Conference of Urban Historians, B Villa Le Balze (Georgetown University), Florence, I Southern Methodist University, Dallas TX, USA; Roma Tre University, I Ecole Fran&aise de Rome, I Bibliotheca Hertziana, Rome, I Universit& degli Studi, Bologna, I La Sapienza, R Antwerp U Fondazione Valerio per la Storia delle Donne, Naples, I Meadows Museum, Dallas, Texas (USA); Harvard University, USA; Duke University, USA; College Art Association (New York) 2013; Universit& degli di Studi di P University of L Emory University, USA; University of Adelaide (ARC Centre of Excellence for History of Emotions), A La Sapienza-Swedish Institute & Accademia di San Luca, Rome, I IHR, L Royal Holloway, L University of Colorado-Boulder, USA; Smith College, Mass., USA; Association of Art Historians (UEA), 2015.
Recent Talks:
Helen Hills organized and gave a paper at 'Baroque Naples at Compton Verney' an international interdisciplinary colloquium held at Compton Verney on 17 June 2015 where three of her PhD stude and she co-organized 'Patterning Patterns', an international collaboratory, at the University of York in May 2015, where two of her PhD students presented their work.
The Matter of the Baroque:1) Unveiling Architecture: Leon Battista Alberti and Aristocratic&Female Convents2) Silver and Salvation: Flirting with Capital in Baroque Naples3) Inventing C Folding Time
Miraculous Materiality, Baroque Excess, Silver Faces: Whatever next?Research Seminar, History of Art Department, Warwick University, May 2014.
Graduate Seminar at the University of Colorado, Boulder, April 2014. Sponsored by the History of Art Department and Visiting Scholars Program, University of Colorado-Boulder, USA.
Materiality and Affect:&&relics and&inventio&in baroque Italy Public Lecture at the University of Colorado Boulder, USA, April 2014. Sponsored by the History of Art department and Visiting Scholars Program, University of Colorado-Boulder, USA
L'invenzione e la rivelazione del monastero femminile&Keynote at&,&&(Rome, Accademia Nazionale di San Luca, March 2014). Organized by The&Swedish Institute of Classical Studies, La Sapienza University, and the Accademia di San Luca in Rome
Miraculous Affects: Inventing Corpses in Baroque Italy Opening Keynote Lecture, University of Adelaide Australia, February 2014 ; Centre for the History of Emotions, a Research Centre of Excellence funded by the Australian Research Council for 2011-17. The 2014 international collaboratory is on the theme of ''. A recording of Helen's keynote address is available .An interview on Radio Adelaide with Ewart Shaw 10 February 2014 is available .
La Cappella del Tesoro di San Gennaro. Una sfida agli storici dell'arte?Studi e prospettive di ricerche sull'et& barocca in Europa,&Seminario di Studi internazionali,&Universita' degli di Studi di Palermo:&May 2013.
The Miraculous Matter of Neapolitan baroqueTransmaterialities: Materials, Process, History,&College Art Association (New York): February 2013.Session organized by Dr Richard Checketts (Leeds) and Dr Marta Ajmar (V&A).
Inventio, relics and the saint: Inventing the body in baroque Italian artHoly Relics and Cursed Bodies Symposium, Duke University, USA:&Oct 2012.
With&Professor Alexei Lidov and Dr Jas' Elsner. University of York: 22 June 2011
Conferences Organised:
International interdisciplinary symposium, &6 May 2015, University of York. Co-organized by Helen Hills
Naples at Compton VerneyInternational interdisciplinary symposium, Compton Verney, 17 June 2015
The White Bull & Blue Skies:&Rethinking the Art History Curriculum&after the "Old Europe"&University of York, May 2012.&. &&&.
3 AHRC Workshops in 2009Principal Investigator with Dr M Calaresu, Cambridge: The historical and intellectual formation of Neapo Topography and Piety: Naples A Objects of Collecting in Naples and Naples as Object of Collecting, .
&University of York and Castle Howard, 5-7 July 2006
Study Days on&,&,&,&,University of York, &As Director of the Architectural History & Theory Research School Helen organized these study days&with visiting and internal speakers.
Urban Memory in ManchesterUniversity of Manchester, September 2002
Representing Emotions: evidence, arousal, analysisUniversity of Manchester, 25-27 May 2001An international, interdisciplinary conference held at the University of Manchester in the Department of Art History, co-organized with Penelope Gouk. Sponsored by the British Academy, Wellcome Trust and the University of Manchester. This resulted in the edited volume '' (Ashgate, 2005).
Media coverage
Helen was interviewed by Ewart Shaw on radio Adelaide (10 Feb 2014) talking about bloody miracles. &Part of the interview is available&.
Helen was one of 3 specialists talking about 'The Baroque' with Melvyn Bragg:&, BBC Radio 4, 20 & 21 November 2008, (2009).
Helen was featured on Night Waves talking about the 'baroque' as part of Radio 3's "".
Performances
formed part of initial inspiration for Clausura Sconfinata, a performance of contemporary dance and early modern conventual music, directed by Julia Pond, performed by the Isadora Duncan Dance Co. (NYC) and the Cappella Artemisia (Bologna), performed in Narni, and elsewhere in Italy in 2009.
International Research Evaluations
AHRC Peer Review Panel Member,
Jun 2012-present: Invited Member of the Italian National Evaluation of research Quality Exercize Peer Review
University of Roma-La Sapienza, Rome, External Academic Advisor to the Department of History, Cultures & Religions, Italy: Jan 2011-present
History of Art expert member of the Research Quality Assessment panel (Akreditacija-znanost, Zagreb) for three national research institutes in Croatia: Croatian Institute for Research in H Institute for Research in Art H Croatian Institute for Research in Archaeology.& May 2011
Invited Member of the Irish Research Council International Assessment Board (for postgraduate Awards). April 2013-present.
Curatorial Experience
Co-organizer & Co-curator, Fabrications: New Art and Urban Memory in Manchester. Included commisioning 6 new pieces of art from 6 contemporary artists. Cube Gallery, Manchester. 11 September - 2 November 2002.&
Contact details
Professor of History of Art
Department of History of Art
Room V/238
Office hours&Tuesdays 1.10-2.00pm and Thursdays 4.00-5.00pm}