英语翻译How are you doing today i hope you are still doing fine by the grace of God,darling I thank you so much for your love and care over my situation here in the camp and all your efforts just to make me happy in fact God will surely bless you,as i am having praying and fa_百度作业帮
英语翻译How are you doing today i hope you are still doing fine by the grace of God,darling I thank you so much for your love and care over my situation here in the camp and all your efforts just to make me happy in fact God will surely bless you,as i am having praying and fasting today towards your health and your financial blessing is my prayer point i am sure that after today God must surely increase your financially and all your heart desire must surely be fulfilled.secondly i am really confused what can i do when no body to think of my Condition when i can't even have joy or peace all the night i can't sleep am having sleepless night because i don't have family or to have happiness in my heart like other people,my eyes is full of tear please your the last hope I have,please help me out.
你今天过得好吗?愿在主的恩典下,你的一切安好.亲爱的,感谢你在夏令营的那段日子给我的关爱,让我感到非常快乐.主一定会祝福你的,我今天斋戒,正在为你的身体健康和经济状况做祷告.从明天开始,主一定会赐予你更多的财富,让你心想事成.我现在感到很困惑,没有人关心我的境况,心中缺少欢乐与平和,整夜睡不着觉.因为我没有家庭,不像别人那样心中充满欢乐,我的眼里满是泪水.你是我唯一的希望,请帮我走出来.
How are you doing today i hope you are still doing fine by the grace of God, darling I thank you so much for your love and care over my situation here in the camp and all your efforts just to make me ...
你今天过得怎么样，我希望你过得不错，亲爱的，我十分感激你在野营的时候对我当时处境的关心和爱护，你的所有努力都使我感到幸福，上帝一定会保佑你的，因为我今天进行了祷告和禁食，祈祷（上帝保佑）你的健康，保佑你的财富，我相信在以后的日子里上帝一定会给你带来更多的财富，你一定会达成心中所想。接下来，当没人为我考虑的时候，我真的不知道自己该怎么办，我当时甚至没办法开心起来，也不得宁静，整晚睡不着，我...
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Fred Couples seems just fine with Davis Love III as Ryder Cup captainBy Kyle Porter | Golf Writer
Davis Love III and Fred Couples doing work at the 2013 Presidents Cup. (Getty Images) When news broke that Davis Love III was , most people had the same reaction. "What about Freddie?"On Wednesday, Fred Couples assured everyone there's no angst over the PGA of America's selection."They chose a great guy in Davis. He deserves it," . "And maybe in a couple of years down the line I'll have another shot at it. There's so many guys. I'm not bitter or upset or anything like that because in my opinion they picked a great guy."Couples and Love III are clearly chummy, and there's little doubt Couples will be an assistant, if not officially then in some form, when Hazeltine arrives in 2016."To be quite honest with you, I will tell you that if it was maybe not Davis, I might have a different attitude toward this," added Couples. "He's been my friend for 30 years and I'm very happy for him. And so I have no bitterness at all."The upshot for Couples is that he gets to play golf or do whatever he wants while Love III has to fulfill
over the next 20 months.For more golf news, rumors and analysis, follow
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US singles chronology
"Love Me Do"
"Love Me Do" is ' first single, backed by B-Side "". When the
was originally released in the United Kingdom on 5 October 1962, it peaked at No. 17; in 1982 it was re-promoted (not re-issued, retaining the same catalogue number) and reached No. 4. In the United States the single was a No. 1 hit in 1964. In 2013, recordings of the song that were published in 1962 entered the
in Europe.
The song is an early
composition, principally written by
from school at age 16.
wrote the . Lennon: "Paul wrote the main structure of this when he was 16, or even earlier. I think I had something to do with the middle ... 'Love Me Do' is Paul's song. He wrote it when he was a teenager. Let me think. I might have helped on the middle eight, but I couldn't swear to it. I do know he had the song around, in Hamburg, even, way, way before we were songwriters". (David Sheff. John Lennon: All We Are Saying). McCartney: "'Love Me Do' was completely co-written. It might have been my original idea but some of them really were 50-50s, and I think that one was. It was just Lennon and McCartney sitting down without either of us having a particularly original idea. We loved doing it, it was a very interesting thing to try and learn to do, to become songwriters. I think why we eventually got so strong was we wrote so much through our formative period. 'Love Me Do' was our first hit, which ironically is one of the two songs that we control, because when we first signed to EMI they had a publishing company called Ardmore and Beechwood which took the two songs, 'Love Me Do' and '', and in doing a deal somewhere along the way we were able to get them back".
Their practice at the time was to scribble songs in a school notebook, dreaming of stardom, always writing "Another Lennon–McCartney Original" at the top of the page. 'Love Me Do' is intrinsically a song based around two simple chords: G7 and C, before moving to D for its . It first profiles Lennon playing a
dry "dockside harmonica" riff,
then features Lennon and McCartney on joint lead vocals, including -style harmonising during the beseeching "please" before McCartney sings the unaccompanied vocal line on the song's title phrase. Lennon had previously sung the title sections, but this change in arrangement was made in the studio under the direction of
when he realised that the harmonica part encroached on the vocal (Lennon needed to begin playing the harmonica again on the same beat as the "do" of "love me do". Although when a similar situation later occurred on the '' single session, the harmonica was superimposed afterwards using tape-to-tape ). Described by Ian MacDonald as "standing out like a bare brick wall in a suburban sitting-room, 'Love Me Do', [with its] blunt working class northerness, rang the first faint chime of a revolutionary bell" compared to the standard
productions occupying the charts at the time.
'Love Me Do' was recorded by the Beatles on three different occasions with three different drummers at
at 3 Abbey Road in London:
EMI Artist Test on 6 June 1962 with
on drums. This version (previously thought to be lost) is available on .
First proper recording session 4 September 1962. In August, Best had been replaced with . Producer George Martin did not approve of Best's drumming for studio work. It was the norm at that time to have a specialist studio drummer who knew the ways of studio work. The decision to fire Best was not Martin's. The Beatles with Starr recorded a version at EMI Studios. They recorded Love Me Do in 15 takes.
Second recording session 11 September 1962. A week later, The Beatles returned to the same studio and they made a recording of 'Love Me Do' with session drummer
on drums. Starr was relegated to playing tambourine. As tambourine is not present on the 4 September recording, this is the easiest way to distinguish between the Starr and White recordings.
First issues of the single, however, did feature the Ringo Starr version, prompting
to later write: "Clearly, the 11 September version was not regarded as having been a significant improvement after all".
The Andy White version of the track was included on The Beatles' debut UK album, , , and subsequent album releases on which "Love Me Do" was included (except as noted below). For the 1976 single re-issue and the 1982 "20th Anniversary" re-issue, the Andy White version was again used. The Ringo Starr version was included on the albums
(American version) and . The
single issued on 2 October 1992 contains both versions. The Pete Best version remained unreleased until 1995, when it was included on the
Capitol Records Canada pressed 170 singles which were released on 4 February 1963 with catalog number 72076. This pressing was dubbed from the Parlophone 45 released in England 5 October 1962. This version features Ringo on drums.
'Love Me Do,' featuring Starr drumming, was also recorded eight times at the
and played on the BBC radio programmes Here We Go, Talent Spot, Saturday Club, Side By Side, Pop Go The Beatles and Easy Beat between October 1962 and October 1963. The version of 'Love Me Do' recorded on 10 July 1963 at the BBC and broadcast on the 23 July 1963 Pop Go the Beatles programme can be heard on The Beatles' album . The Beatles also performed the song live on the 20 February 1963 Parade of the Pops BBC radio broadcast.
In 1969, during the , The Beatles played the song in a slower, more bluesy form than they had in earlier recordings. This version of 'Love Me Do' is one of many recordings made during these sessions and subsequently appeared on some bootlegs. The song featured no harmonica by Lennon, and McCartney sang the majority of the song in the same vocal style he used for ''.
On 4 September 1962,
paid for The Beatles—along with their new drummer, Ringo Starr—to fly down from
to London. After first checking into their
hotel, they arrived at EMI Studios early in the afternoon where they set up their equipment in Studio 3 and began rehearsing six songs including: "", "Love Me Do" and a song originally composed for
called "" which George Martin "was insisting, in the apparent absence of any stronger original material, would be the group's first single". Lennon and McCartney had yet to impress Martin with their songwriting ability, and the Beatles had been signed as recording artists on the basis of their charismatic appeal: "It wasn't a question of what they could do [as] they hadn't written anything great at that time." "But what impressed me most was their personalities. Sparks flew off them when you talked to them." During the course of an evening session that then followed (7:00 pm to 10:00 pm in Studio 2) they recorded "How Do You Do It" and "Love Me Do". An attempt at "Please Please Me" was made, but at this stage it was quite different from its eventual treatment and it was dropped by Martin. This was a disappointment for the group as they had hoped it would be the B-side to "Love Me Do".
The Beatles were keen to record their own material, something which was almost unheard of at that time, and it is generally accepted that it is to George Martin's credit that they were allowed to float their own ideas in the first instance. But Martin insisted that unless they could write something as commercial as "How Do You Do It?" then the
practice of having the group record songs by professional songwriters (which was standard procedure then, and is still common today) would be followed. MacDonald points out, however: "It's almost certainly true that there was no other producer on either side of the Atlantic then capable of handling the Beatles without damaging them—let alone of cultivating and catering to them with the gracious, open-minded adeptness for which George Martin is universally respected in the British pop industry." Martin rejects however the view that he was the "genius" behind the group: "I was purely an interpreter. The genius was theirs: no doubt about that."
It was on the 4 September session that, according to McCartney, Martin suggested using a . However, Lennon's harmonica part was present on the Anthology 1 version of the song recorded during the 6 June audition with
on drums. Also, Martin's own recollection of this is different, saying: "I picked up on 'Love Me Do' because of the harmonica sound", adding: "I loved wailing harmonica—it reminded me of the records I used to issue of
and . I felt it had a definite appeal."
Lennon had learned to play a
that his Uncle George (late husband of his ) had given to him as a child. But the instrument being used at this time was one stolen by Lennon from a music shop in , the , in 1960, as the Beatles first journeyed to
by road. Lennon would have had this with him at the EMI audition on 6 June as Bruce Channel's "Hey Baby", with its harmonica intro, and a hit in the UK in March 1962, was one of the thirty three songs the Beatles had prepared (although only four were recorded: ""; "Love Me Do"; "P.S. I Love You" and "", of which only "Bésame Mucho" and "Love Me Do" survive and appear on ). Brian Epstein had also booked American Bruce Channel to top a
promotion at 's Tower Ballroom, in
on 21 June 1962, just a few weeks after "Hey Baby" had charted, and placed the Beatles a prestigious second on the bill. Lennon was so impressed that night with Channel's harmonica player, , that he later approached him for advice on how to play the instrument. Lennon makes reference also to 's "" and its harmonica intro, a huge number one hit in the UK July 1962, saying: "The gimmick was the harmonica. There was a terrible thing called "I Remember You", and
and we started using it on "Love Me Do" just for arrangements". The harmonica was to become a feature of the Beatles' early hits such as "Love Me Do", "Please Please Me" and "" as well as various album tracks. Paul McCartney recalled, "John expected to be in jail one day and he'd be the guy who played the harmonica."
Martin came very close to issuing "How Do You Do It?" as the Beatles' first single (it would also re-appear as a contender for their second single) before settling instead on "Love Me Do", as a mastered version of it was made ready for release and which still exists in EMI's archives. Martin commented later: "I looked very hard at 'How Do You Do It?', but in the end I went with 'Love Me Do', it was quite a good record." McCartney would remark: "We knew that the peer pressure back in Liverpool would not allow us to do 'How Do You Do It'."
Martin then decided that as "Love Me Do" was going to be the group's debut release it needed to be re-recorded with a different drummer as he was unhappy with the 4 September drum sound (Abbey Road's
also recalls McCartney being dissatisfied with Starr's timing, due probably to him being under-rehearsed.) Record producers at that time were used to hearing the bass drum "lock in" with the bass guitar as opposed to the much looser
feel that was just beginning to emerge, and so professional show band drummers were often used for recordings. Ron Richards, placed in charge of the 11 September re-recording session in George Martin's absence, booked
whom he had used in the past. Starr was expecting to play, and would have been very disappointed to be dropped for only his second Beatles recording session: Richards remembers "He just sat there quietly in the control box next to me. Then I asked him to play maracas on 'P.S. I Love You'. Ringo is lovely—always easy going". Starr recalled: "On my first visit in September we just ran through some tracks for George Martin. We even did Please Please Me. I remember that, because while we were recording it I was playing the bass drum with a maraca in one hand and a tambourine in the other. I think it's because of that that George Martin used Andy White, the 'professional', when we went down a week later to record Love Me Do. The guy was previously booked, anyway, because of Pete Best. George didn't want to take any more chances and I was caught in the middle. I was devastated that George Martin had his doubts about me. I came down ready to roll and heard, 'We've got a professional drummer.' He has apologised several times since, has old George, but it was devastating—I hated
I still don't let him off the hook!" Paul McCartney: "George got his way and Ringo didn't drum on the first single. He only played tambourine. I don't think Ringo ever got over that. He had to go back up to Liverpool and everyone asked, 'How did it go in the Smoke?' We'd say, 'B-side's good,' but Ringo couldn't admit to liking the A-side, not being on it." (From Anthology). "Love Me Do" was recorded with White playing drums and Starr on tambourine, but whether using a session drummer solved the problem is unclear, as session engineer
was to comment: "It was a real headache trying to get a [good] drum sound, and when you listen to the record now you can hardly hear the drums at all." Ringo Starr's version was mixed "bottom-light" to hide Starr's bass drum.
Early pressings of the single (issued with a red Parlophone label) are the 4 September version—minus tambourine—with Starr playing drums. But later pressings of the single (on a black Parlophone label), and the version used for the Please Please Me album, are the 11 September re-record with Andy White on drums and Starr on tambourine. This difference has become fundamental in telling the two recordings of "Love Me Do" apart. Regarding the editing sessions that then followed all these various takes, Ron Richards remembers the whole thing being a bit fraught, saying: "Quite honestly, by the time it came out I was pretty sick of it. I didn't think it would do anything."
There are major discrepancies regarding the White session, and who produced it. In his book Summer of Love, Martin concedes that his version of events differs from some accounts, saying: "On the 6 June Beatles session (audition) I decided that Pete Best had to go [and said to Epstein] I don't care what you do with Pete B but he's not playing on any more recording sessions: I'm getting a session drummer in." When Starr turned up with the group for their first proper recording session on 4 September, Martin says that he was totally unaware that the Beatles had fired B and, not knowing "how good bad or indifferent" Starr was, was not prepared to "waste precious studio time finding out." Martin, therefore, appears to have this as the Andy White session in which Martin was present, and not 11 September. This contradicts 's account, as in his book The Complete Beatles Recording Sessions, he has Starr on drums on 4 September and White for the 11 September re-make. Lewisohn also says that Richards was in charge on 11 September, which means, if accurate, that Richards was sole producer of the White version of "Love Me Do". Martin says, "My diary shows that I did not oversee any Beatles recording sessions on 11 September—only the one on 4 September." But, if Lewisohn's account is correct and "the 4 September session really hadn't proved good enough to satisfy George Martin", it might seem odd that Martin was not then present to oversee the 11 September remake.
In his memoirs, assistant engineer
supports the Lewisohn version, recounting that Starr played drums at the 4 September session (Emerick's second day at EMI) and that Martin, Smith, and McCartney were all dissatisfied with (the underrehearsed) Starr's timekeeping. Emerick places White firmly at the second session, and describes the reactions of
and Starr to the substitution. Emerick also noted that Martin only came in very late for the 11 September session, after work on "Love Me Do" was complete.
Andy White confirms that he was booked by Ron Richards for the 11 September session, not by George Martin, who he says "could not make the session, could not get there till the end, so he had Ron Richards handle it". White also says that he recognises his own drumming on the released version of "Please Please Me", recorded that same session with him on drums. White, however was not at the studio for the final recording on 26 November and was only hired for the 11 September session (this run through with White can be heard on Anthology 1).
#1 on US charts (30 May 1964), Top 100 for 14 weeks. When it entered the charts, it was due to sales of imported copies from
with Starr on drums. On 27 April 1964 it was released in the US by
label with White on drums.
The song was the fourth of six songs by the Beatles to hit #1
an all-time record for the US charts. In order, these were "I Want to Hold Your Hand", "", "", "Love Me Do", "", and "." It was also the fourth of seven songs written by Lennon-McCartney to hit #1 in 1964 (the remaining song being "" by ); That's an all-time record on the US charts for writing the most songs to hit #1 in the same calendar year. (see )
The original master tapes of the 4 September version of "Love Me Do" are not known to exist. Standard procedure at Abbey Road Studios at the time was to erase the original two-track session tape for singles once they had been "mixed down" to the (usually )
used to press records. This was the fate of two Beatles singles (four songs): "Love Me Do", "P.S. I Love You", "", and "". However, at some point the mixdown master tape for this song was also lost, and apparently no backup copies had been made. Thus, for many years the only extant recorded copies were the red label Parlophone 45 rpm vinyl records pressed in 1962. This version was also issued in Canada as Capitol 72076.
By the time the tapes had disappeared, the song's 11 September 1962 remake featuring Andy White had been released. EMI would not have been too concerned about the loss of the 4 September take, therefore, as it was now considered obsolete, and they may not have anticipated ever having any use for it again anyway.
Around 1980, a reasonably clean, original 45 single from EMI's archives was used as the "best available source" for the track's inclusion on the
. A few years later, a new master tape was struck, this time using another, better-sounding 45 supplied by a record collector, and this has served as the official EMI master tape for the original "Love Me Do" ever since.
The version with Ringo on drums was released in 1980 for Record 1 of ""
EMI's planned release of a 50th anniversary limited-edition replica of the original single was cancelled when it was discovered that the pressings contained the Andy White version instead of the Ringo version as intended.
Revised release plans have been announced for a limited-edition replica vinyl version of the Beatles' first single, "Love Me Do" backed with "P.S. I Love You," in honour of the 50th anniversary of its release in the U.K. The 7-inch disc originally was scheduled to hit stores on 5 October, the single's actual golden anniversary, but it was reissued (in its corrected version) on 22 October.
On the version released on British and American singles, , , and compilation albums including
("The Red Album") and :
– vocals, bass
– vocals, harmonica, acoustic rhythm guitar
– acoustic rhythm guitar
– tambourine
On the version released on
– vocals, bass, handclaps
– vocals, harmonica, acoustic rhythm guitar, handclaps
– acoustic rhythm guitar, handclaps
– drums, handclaps
– vocals, bass
– vocals, harmonica, acoustic rhythm guitar
– acoustic rhythm guitar
Engineered by .
6 June 1962: an unknown number of takes recorded for what was most likely an artist test.
4 September 1962: an unknown number of takes recorded. Mono mixing of the song from an unknown take number.
11 September 1962: 18 takes recorded with Andy White on drums. Take 18 used as master.
This section is in a list format that may be better presented using . You can help by converting this section to prose, if .
is available. (October 2012)
"Love Me Do" has been covered by (among others):
on their 1964 album
on his 1964 album, 30 Big Hits from the 60s
on his 1964 album, Keyboard Kaleidoscope
on her 1969 album, Reviewing the Situation
on their 1972 album The Kids from the Brady Bunch
Ringo Starr on his 1998 album,
on his 2000 album, Sleepytown
on his 2002 album, This Day Is Forever
on their 2002 album, The Persuasions Sing the Beatles
Emmerson Nogueira on his 2004 album, Beatles
US Billboard
UK Singles Chart
Preceded by
30 May 1964 (one week)
Succeeded by
. AllMusic.
Miles (1997).
. The Beatles Bible.
Barry Miles. Paul McCartney: Many Years From Now
. 100 Greatest Beatles Songs. Rolling Stone.
Hemmingsen, Piers A. .
Toronto Star.
interview for "Love Me Do: The Beatles '62", BBC TV 9 October 2012
. AllMusic 2013.
. AllMusic 2012.
Dryden, Ken. . AllMusic 2012.
Unterberger, Richie. . AllMusic 2012.
Erlewine, Stephen. . Allmusic.
Thomas, Stephen. . AllMusic 2012.
Proefrock, Stacia. . AllMusic 2012.
. AllMusic 2012.
Torreano, Bradley. . AllMusic 2012.
. AllMusic 2012.
. Official Charts 2012.
. AllMusic 2012.
Hall, Ron (1984 and 1986). The CHUM Chart Book. Rexdale (Toronto): Stardust Productions. p. 11.  .
Calkin, Graham. . Jpgr.co.uk 2012.
(). . Notes On ... Series.
(2008). Who Could Ask for More?: Reclaiming The Beatles. .  .
Badman, Keith. The Beatles Off The Record.
(2000). The Beatles Anthology. San Francisco: Chronicle Books.  .
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. The Beatles Studio 2009.
. Cash Box. 25 April .
; Massey, Howard (2006). Here, There and Everywhere: My Life Recording the Music of the Beatles. New York: .  .
(1969). . . Digital.library.unt.edu 2011.
(2012). Love Me Do: Behind the Scenes at the Recording of the Beatles' First Single. Washington, D.C.: Miniver Press.  .
(1992). The Ultimate Beatles Encyclopedia. London: Virgin Books.  .
Lewisohn, Mark. "1000 Days Of Beatlemania". Mojo Magazine (Special Limited Edition).
(1988). The Beatles Recording Sessions. New York: .  .
(2005). Revolution in the Head: The Beatles' Records and the Sixties (Second Revised ed.). London: Pimlico (Rand).  .
; Pearson, William (1995). Summer of Love.
. "Beatles Special". Q Magazine.
(1997). Paul McCartney: Many Years From Now. New York: .  .
Norman, Philip (1993). Shout!. London: Penguin Books.  .
Salewicz, Chris (1986). McCartney-The Biography. London: Queen Anne Press.  .
Seely, Robert (2009).
Southall, Brian (1982). Abbey Road. The Story of the World's Most Famous Recording Studios. London: Patrick Stephens.  .
(2005). The Beatles: The Biography. Boston: .  .
(1998). Revolution in the Head: The Beatles' Records and the Sixties. London: Pimlico (Rand).  .
Palmer, Tony. The Story of Popular Music - All You Need Is Love.
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