and o myoh me oh life 惠特曼weet a need for me

58cv网址导航A DOCTOR OF THE OLD SCHOOL, Part 4
A Doctor of the Old School, Part 4
Project Gutenberg's A Doctor of the Old School, Part 4, by Ian Maclaren
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.
You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: A Doctor of the Old School, Part 4
Author: Ian Maclaren
Release Date: August 9, 2004 [EBook #9318]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, PART 4 ***
Produced by Juliet Sutherland, David Widger and PG Distributed
Proofreaders
A DOCTOR OF THE OLD SCHOOL
by Ian Maclaren
THE DOCTOR'S LAST JOURNEY.
ILLUSTRATIONS
[A click on the face of any illustration
will enlarge it to full size.]
It is with great good will that I write this short preface to the
edition of "A Doctor of the Old School" (which has been illustrated by
Mr. Gordon after an admirable and understanding fashion) because there
are two things that I should like to say to my readers, being also my
One, is to answer a question that has been often and fairly asked. Was
there ever any doctor so self-forgetful and so utterly Christian as
William MacLure? To which I am proud to reply, on my conscience: Not one
man, but many in Scotland and in the South country. I will dare prophecy
also across the sea.
It has been one man's good fortune to know four country doctors, not one
of whom was without his faults&Weelum was not perfect&but who, each
one, might have sat for my hero. Three are now resting from their
labors, and the fourth, if he ever should see these lines, would never
identify himself.
Then I desire to thank my readers, and chiefly the medical profession
for the reception given to the Doctor of Drumtochty.
For many years I have desired to pay some tribute to a class whose
service to the community was known to every countryman, but after the
tale had gone forth my heart failed. For it might have been despised
for the little grace of letters in the style and because of the outward
roughness of the man. But neither his biographer nor his circumstances
have been able to obscure MacLure who has himself won all honest hearts,
and received afresh the recognition of his more distinguished brethren.
From all parts of the English-speaking world letters have come in
commendation of Weelum MacLure, and many were from doctors who had
received new courage. It is surely more honor than a new writer could
ever have deserved to receive the approbation of a profession whose
charity puts us all to shame.
May I take this first opportunity to declare how deeply my heart has
been touched by the favor shown to a simple book by the American people,
and to express my hope that one day it may be given me to see you face
IAN MACLAREN. Liverpool, Oct. 4, 1895.
THE DOCTOR'S LAST JOURNEY.
Drumtochty had a vivid recollection of the winter when Dr. MacLure was
laid up for two months with a broken leg, and the Glen was dependent on
the dubious ministrations of the Kildrummie doctor. Mrs. Macfayden
also pretended to recall a "whup" of some kind or other he had in the
fifties, but this was considered to be rather a pyrotechnic display of
Elspeth's superior memory than a serious statement of fact. MacLure
could not have ridden through the snow of forty winters without
suffering, yet no one ever heard him complain, and he never pled
illness to any messenger by night or day.
"It took me," said Jamie Soutar to Milton afterwards, "the feck o' ten
meenuts tae howk him 'an' Jess oot ae snawy nicht when Drums turned bad
sudden, and if he didna try to excuse himself for no hearing me at aince
wi' some story aboot juist comin' in frae Glen Urtach, and no bein' in
his bed for the laist twa nichts.
"He wes that carefu' o' himsel an' lazy that if it hedna been for the
siller, a've often thocht, Milton, he wud never hae dune a handstroke o'
wark in the Glen.
"What scunnered me wes the wy the bairns were ta'en in wi' him. Man,
a've seen him tak a wee laddie on his knee that his ain mither cudna
quiet, an' lilt 'Sing a song o' saxpence' till the bit mannie would be
lauchin' like a gude are, an' pooin' the doctor's beard.
"As for the weemen, he fair cuist they're daein'
naethin' noo but speak aboot this body and the ither he cured, an' hoo
he aye hed a couthy word for sick fouk. Weemen hae nae discernment,
M tae hear them speak ye wud think MacLure hed been a releegious
man like yersel, although, as ye said, he wes little mair than a Gallio.
"Bell Baxter was haverin' awa in the shop tae sic an extent aboot the wy
MacLure brocht roond Saunders when he hed the fever that a' gied oot at
the door, a' wes that disgusted, an' a'm telt when Tammas Mitchell heard
the news in the smiddy he wes juist on the greeting.
"The smith said that he wes thinkin' o' Annie's tribble, but ony wy a'
ca' it rael bairnly. It's no like D ye're setting an example,
Milton, wi' yir composure. But a' mind ye took the doctor's meesure as
sune as ye cam intae the pairish."
It is the penalty of a cynic that he must have some relief for his
secret grief, and Milton began to weary of life in Jamie's hands
during those days.
Drumtochty was not observant in the matter of health, but they had grown
sensitive about Dr. MacLure, and remarked in the kirkyard all summer
that he was failing.
"He wes aye spare," said Hillocks, "an' he's been sair twisted for the
laist twenty year, but a' never mind him booed till the year. An' he's
gaein' intae sma' buke (bulk), an' a' dinna like that, neeburs.
"The Glen wudna dae weel withoot Weelum MacLure, an' he's no as young as
he wes. Man, Drumsheugh, ye micht wile him aff tae the saut water atween
the neeps and the hairst. He's been workin' forty year for a holiday,
an' it's aboot due."
Drumsheugh was full of tact, and met MacLure quite by accident on the
"Saunders'll no need me till the shearing begins," he explained to the
doctor, "an' a'm gaein' tae Brochty for a turn o' they're
fine for the rheumatics.
"Wull ye no come wi' me for auld lang syne? it's lonesome for a solitary
man, an' it wud dae ye gude."
"Na, na, Drumsheugh," said MacLure, who understood perfectly, "a've dune
a' thae years withoot a break, an' a'm laith (unwilling) tae be takin'
holidays at the tail end.
"A'll no be mony months wi' ye a' thegither noo, an' a'm wanting tae
spend a' the time a' hev in the Glen. Ye see yersel that a'll sune be
getting ma lang rest, an' a'll no deny that a'm wearyin' for it."
As autumn passed into winter, the Glen noticed that the doctor's hair
had turned grey, and that his manner had lost all its roughness. A
feeling of secret gratitude filled their hearts, and they united in a
conspiracy of attention. Annie Mitchell knitted a huge comforter in red
and white, which the doctor wore in misery for one whole day, out of
respect for Annie, and then hung it in his sitting-room as a wall
ornament. Hillocks used to intercept him with hot drinks, and one
drifting day compelled him to shelter till the storm abated. Flora
Campbell brought a wonderful compound of honey and whiskey, much tasted
in Auchindarroch, for his cough, and the mother of young Burnbrae filled
his cupboard with black jam, as a healing measure. Jamie Soutar seemed
to have an endless series of jobs in the doctor's direction, and looked
in "juist tae rest himsel" in the kitchen.
MacLure had been slowly taking in the situation, and at last he
unburdened himself one night to Jamie.
"What ails the fouk, think ye? for they're aye lecturin' me noo tae
tak care o' the weet and tae wrap masel up, an' there's no a week but
they're sendin' bit presents tae the house, till a'm fair ashamed."
"Oo, a'll explain that in a meenut," answered Jamie, "for a' ken the
Glen weel. Ye see they're juist try in' the Scripture plan o' heapin'
coals o' fire on yer head.
"Here ye've been negleckin' the fouk in seeckness an' lettin' them dee
afore their
freends' eyes withoot a fecht, an' refusin' tae gang tae a
puir wumman in her tribble, an' frichtenin' the bairns&no, a'm no
dune&and scourgin' us wi' fees, and livin' yersel' on the fat o' the
"Ye've been carryin' on this trade ever sin yir father dee'd, and the
Glen didna notis. But ma word, they've fund ye oot at laist, an' they're
gaein' tae mak ye suffer for a' yir ill usage. Div ye understand noo?"
said Jamie, savagely.
For a while MacLure was silent, and then he only said:
"It's little a' did but ye hev a gude hert, Jamie,
a rael good hert."
It was a bitter December Sabbath, and the fathers were settling the
affairs of the parish ankle deep in snow, when MacLure's old housekeeper
told Drumsheugh that the doctor was not able to rise, and wished to see
him in the afternoon. "Ay, ay," said Hillocks, shaking his head, and
that day Drumsheugh omitted four pews with the ladle, while Jamie was so
vicious on the way home that none could endure him.
Janet had lit a fire in the unused grate, and hung a plaid by the window
to break the power of the cruel north wind, but the bare room with its
half-a-dozen bits of furniture and a worn strip of carpet, and the
outlook upon the snow drifted up to the second pane of the window and
the black firs laden with their icy burden, sent a chill to Drumsheugh's
The doctor had weakened sadly, and could hardly lift his head, but his
face lit up at the sight of his visitor, and the big hand, which was now
quite refined in its whiteness, came out from the bed-clothes with the
old warm grip.
"Come in by, man, it's an
awfu' day tae bring ye sae far,
but a' kent ye wudna grudge the traivel.
"A' wesna sure till last nicht, an' then a' felt it wudna be lang, an'
a' took a wearyin' this mornin' tae see ye.
"We've been friends sin' we were laddies at the auld school in the firs,
an' a' wud like ye tae be wi' me at the end. Ye 'ill stay the nicht,
Paitrick, for auld lang syne."
Drumsheugh was much shaken, and the sound of the Christian name, which
he had not heard since his mother's death, gave him a "grue" (shiver),
as if one had spoken from the other world.
"It's maist awfu' tae hear ye speakin' aboot deein', W a' canna
bear it. We 'ill hae the Muirtown doctor up, an' ye 'ill be aboot again
in nae time.
"Ye he ye're juist trachled wi' hard wark an'
needin' a rest. Dinna say ye're gaein' tae leave us, W we canna
dae withoot ye in D" and Drumsheugh looked wistfully for some
word of hope.
"Na, na, Paitrick, naethin' can be dune, an' it's ower late tae send for
ony doctor. There's a knock that canna be mista'en, an' a' heard it last
night. A've focht deith for ither fouk mair than forty year, but ma ain
time hes come at laist.
"A've nae tribble worth mentionin'&a bit titch o' bronchitis&an' a've
hed a but a'm fair worn oot, P that's ma
complaint, an' its past curin'."
Drumsheugh went over to the fireplace, and for a while did nothing but
break up the smouldering peats, whose smoke powerfully affected his nose
"When ye're ready, Paitrick, there's twa or three little trokes a' wud
like ye tae look aifter, an' a'll tell ye aboot them as lang's ma head's
"A' didna keep buiks, as ye ken, for a' aye hed a guid memory, so
naebody 'ill be harried for money aifter ma deith, and ye 'ill hae nae
accoonts tae collect.
"But the fouk are honest in Drumtochty, and they 'ill be offerin' ye
siller, an' a'll gie ye ma mind aboot it. Gin it be a puir body, tell
her tae keep it and get a bit plaidie wi' the money, and she 'ill maybe
think o' her auld doctor at a time. Gin it be a bien (well-to-do) man,
tak half of what he offers, for a Drumtochty man wud scorn to be mean in
and if onybody needs a doctor an' canna pay for him,
see he's no left tae dee when a'm oot o' the road."
"Nae fear o' that as lang as a'm livin', W that hundred's still
tae the fore, ye ken, an' a'll tak care it's weel spent.
"Yon wes the best job we ever did thegither, an' dookin' Saunders, ye
'ill no forget that nicht, Weelum"&a gleam came into the doctor's
eyes&"tae say neathin' o' the Highlan' fling."
The remembrance of that great victory came upon Drumsheugh, and tried
his fortitude.
"What 'ill become o's when ye're no here tae gie a hand in time o' need?
we 'ill tak ill wi' a stranger that disna ken ane o's frae anither."
"It's a' for the best, Paitrick, an' ye 'ill see that in a whilie. A've
kent fine that ma day wes ower, an' that ye sud hae a younger man.
"A' did what a' cud tae keep up wi' the new medicine, but a' hed little
time for readin', an' nane for traivellin'.
"A'm the last o' the auld schule, an' a' ken as weel as onybody thet a'
wesna sae dainty an' fine-mannered as the town doctors. Ye took me as a'
wes, an' naebody ever cuist up tae me that a' wes a plain man. Na,
ye've been rael kind an' conseederate a' thae years."
"Weelum, gin ye cairry on sic nonsense ony langer," interrupted
Drumsheugh, huskily, "a' a' canna stand it."
"It's the truth, Paitrick, but we 'ill gae on wi' our wark, far a'm
failin' fast.
"Gie Janet ony sticks of furniture she needs tae furnish a hoose,
and sell a' thing else tae pay the wricht (undertaker) an' bedrel
(grave-digger). If the new doctor be a young laddie and no verra rich,
ye micht let him hae the buiks an' it 'ill aye be a help.
"But a' wudna like ye tae sell Jess, for she's been a faithfu' servant,
an' a freend tae. There's a note or twa in that drawer a' savit, an'
if ye kent ony man that wud gie her a bite o' grass and a sta' in his
stable till she followed her maister&'
"Confoond ye, Weelum," broke out D "its doonricht cruel o' ye
to speak like this tae me. Whar wud Jess gang but tae Drumsheugh? she
'ill hae her run o' heck an' manger s the Glen
wudna like tae see anither man on Jess, and nae man 'ill ever touch the
auld mare."
"Dinna mind me, Paitrick, for a" but ye ken we're no
verra gleg wi' oor tongues in Drumtochty, an' dinna tell a' that's in
oor hearts.
"Weel, that's a' that a' mind, an' the rest a' leave tae yersel'. A've
neither kith nor kin tae bury me, sae you an' the neeburs 'ill need tae
but gin Tammas Mitchell or Saunders be stannin' near and
lookin' as if they wud like a cord, gie't tae them, Paitrick. They're
baith dour chiels, and haena muckle tae say, but Tammas hes a graund
hert, and there's waur fouk in the Glen than Saunders.
"A'm gettin' drowsy, an' a'll no be able tae follow ye sune, a'
wud ye read a bit tae me afore a' fa' ower?
"Ye 'ill find ma mither's Bible on the drawers' heid, but ye 'ill need
tae come close tae the bed, for a'm no hearin' or seein' sae weel as a'
wes when ye cam."
Drumsheugh put on his spectacles and searched for a comfortable
Scripture, while the light of the lamp fell on his shaking hands and the
doctor's face where the shadow was now settling.
"Ma mither aye wantit this read tae her when she wes sober" (weak), and
Drumsheugh began, "In My Father's house are many mansions," but MacLure
stopped him.
"It's a bonnie word, an' yi but it's no for the
like o' me. It' a' daurna tak it.
"Shut the buik an' let it open itsel, an' ye 'ill get a bit a've been
readin' every nicht the laist month."
Then Drumsheugh found the Parable wherein the Master tells us what God
thinks of a Pharisee and of a penitent sinner, till he came to the
words: "And the publican, standing afar off, would not lift up so
much as his eyes to heaven, but smote upon his breast, saying, God be
merciful to me a sinner."
"That micht hae been written for me, Paitrick, or ony ither auld sinner
that hes feenished his life, an' hes naethin' tae say for himsel'.
"It wesna easy for me tae get tae kirk, but a' cud hae managed wi' a
stretch, an' a' used langidge a' sudna, an' a' micht hae been gentler,
and not been so short in the temper. A' see't a' noo.
"It's ower late tae mend, but ye 'ill maybe juist say to the fouk that I
wes sorry, an' a'm houpin' that the Almichty 'ill hae mercy on me.
"Cud ye ... pit up a bit prayer, Paitrick?"
"A' haena the words," said Drumsheu "wud ye like's
tae send for the minister?"
"It's no the time for that noo, an' a' wud rather hae yersel'&juist
what's in yir heart, Paitrick: the Almichty 'ill ken the lave (rest)
So Drumsheugh knelt and prayed with many pauses.
"Almichty God ... dinna be hard on Weelum MacLure, for he's no been hard
wi' onybody in Drumtochty.... Be kind tae him as he's been tae us a' for
forty year.... We're a' sinners afore Thee.... Forgive him what he's
dune wrang, an' dinna cuist it up tae him.... Mind the fouk he's helpit
.... the wee-men an' bairnies.... an' gie him a welcome hame, for he's
sair needin't after a' his wark.... Amen."
"Thank ye, Paitrick, and gude nicht tae ye. Ma ain true freend, gie's
yir hand, for a'll maybe no ken ye again.
"Noo a'll say ma mither's prayer and hae a sleep, but ye 'ill no leave
me till a' is ower."
Then he repeated as he had done every night of his life:
"This night I lay me down to sleep,
I pray the Lord my soul to keep.
And if I die before I wake,
I pray the Lord my soul to take."
He was sleeping quietly when the wind drove the snow against the window
with a sudden "" and he instantly awoke, so to say, in his sleep.
Some one needed him.
"Are ye frae Glen Urtach?" and an unheard voice seemed to have answered
"Worse is she, an' suffering awfu'; that' ye did richt
"The front door' gang roond tae the back, an' ye 'ill get
a'll be ready in a meenut.
"Gie's a hand wi' the lantern when a'm saidling Jess, an' ye needna come
a' ken the road."
Then he was away in his sleep on some errand of mercy, and struggling
through the storm. "It's a coorse nicht, Jess, an' heavy traivellin';
can ye see afore ye, lass? for a'm clean confused wi' bide a
wee till a' find the diveesion o' it's aboot here back or
"Steady, lass, steady, i'ts a drift we're in, but ye're no
sinkin'; ... ... there ye are on the road again.
"Eh, it's deep the nicht, an' hard on us baith, but there's a puir
wumman micht dee if we d ... that' ye ken fine
what a'm sayin.'
"We 'ill hae tae leave the road here, an' tak tae the muir. Sandie 'ill
no can leave the wi ... feel for yersel" lass, and
keep oot o' the holes.
"Yon's the hoose black in the snaw. Sandie! man, a'
didna s hoos the wife?"
After a while he began again:
"Ye're fair dune, Jess, and so a' am masel'; we're baith gettin' auld,
an' dinna tak sae weel wi' the nicht wark.
"We ' this is the black wood, and it's no lang
we're ready for oor beds, Jess.... ay, ye like a clap at a
mony a mile we've gaed hegither.
"Yon's the licht i nae wonder ye're nickering
(neighing).... it's
a'm tired, lass.... a'm tired
tae deith," and the voice died into silence.
Drumsheugh held his friend's hand, which now and again tightened in his,
and as he watched, a change came over the face on the pillow beside him.
The lines of weariness disappeared, as if God's han
and peace began to gather round the closed eyes.
The doctor has forgotten the toil of later years, and has gone back to
his boyhood.
"The Lord's my Shepherd, I'll not want,"
he repeated, till he came to
the last verse, and then he hesitated.
"Goodness and mercy all my life
Shall surely follow me.
"Follow me ... and ... and ... what's next? Mither said I wes tae haed
ready when she cam.
"'A'll come afore ye gang tae sleep, Wullie, but ye 'ill no get yir kiss
unless ye can feenish the psalm.'
"And ... in God's house ... for evermore my ... hoo dis it rin? a canna
mind the next word ... my, my&
"It's ower dark noo tae read it, an' mither 'ill sune be comin."
Drumsheugh, in an agony, whispered into his ear, "'My dwelling-place,'
"That's it, that's it a' wha said it?
"And in God's house for evermore
My dwelling-place shall be.
"A'm ready noo, an' a'll get ma ki a' wish she wud
come, for a'm tired an' wantin' tae sleep.
"Yon's her step ... an' she's carryin' a' see it
through the door.
"Mither! a' kent ye wudna forget yir laddie for ye promised tae come,
and a've feenished ma psalm.
"And in God's house for evermore
My dwelling-place shall be.
"Gie me the kiss, mither, for a've been waitin' for ye, an' a'll sune be
The grey morning light fell on Drumsheugh, still holding his friend's
cold hand, and staring at a hearth where the fire had died down into
but the peace on the doctor's face was of one who rested
from his labours.
End of Project Gutenberg's A Doctor of the Old School, Part 4, by Ian Maclaren
*** END OF THIS PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, PART 4 ***
***** This file should be named 9318-h.htm or 9318-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/9/3/1/9318/
Produced by Juliet Sutherland, David Widger and PG Distributed
Proofreaders
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.
Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.
do not charge anything for copies of this eBook, complying with the
rules is very easy.
You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.
Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1.
General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.
If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
"Project Gutenberg" is a registered trademark.
It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.
There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.
paragraph 1.C below.
There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
See paragraph 1.E below.
The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.
Nearly all the individual works in the
collection are in the public domain in the United States.
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.
Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
The copyright laws of the place where you are located also govern
what you can do with this work.
Copyright laws in most countries are in
a constant state of change.
If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.
The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
Unless you have removed all references to Project Gutenberg:
The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.
You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.
If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.
Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.
However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes.
The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation.
Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.
Contact the
Foundation as set forth in Section 3 below.
Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.
Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.
YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.
received the work on a physical medium, you must return the medium with
your written explanation.
The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.
If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.
The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.
In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3.
Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.
The Foundation's EIN or federal tax identification
number is 64-6221541.
Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.
Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.
Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.
Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4.
Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.
Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.
We do not solicit donations in locations
where we have not received written confirmation of compliance.
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.
U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses.
Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.
To donate, please visit: http://pglaf.org/donate
Section 5.
General Information About Project Gutenberg-tm electronic
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.
For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.
Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.}

我要回帖

更多关于 oh me oh life 的文章

更多推荐

版权声明:文章内容来源于网络,版权归原作者所有,如有侵权请点击这里与我们联系,我们将及时删除。

点击添加站长微信